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ISBN 9780333247792
Published 1 October 1978 by Macmillan Education
Format Hardback, New edition
Alternate Format(s) View All (6 other possible title(s) available)
Author(s) By Paton Walsh, Jill
Series M-Books
Availability Out of print

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Full details for this title

ISBN-13 9780333247792
ISBN-10 0333247795
Stock Out of stock
Status Out of print
Publisher Macmillan Education
Imprint Macmillan Education
Publication Date 1 October 1978
Publication Country United Kingdom United Kingdom
Format Hardback, New edition
Edition New edition
Author(s) By Paton Walsh, Jill
Series M-Books
Category Fiction (Child / Teen)
English Literature: Fiction Texts
Modern Fiction
Number of Pages 128
Dimensions Width: 130mm
Height: 190mm
Weight 250g
Interest Age 13+ years
Reading Age 13+ years
Library of Congress Fiction in English
NBS Text School Textbooks & Study Guides: Literature, Arts & Humanities
ONIX Text Primary and secondary/elementary and high school;College/higher education
Dewey Code 823.91
Catalogue Code Not specified

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Awards, Reviews & Star Ratings

US Review He was evacuated to Wales, fled an insulting delousing, returned to an empty house blockaded by DANGER UNEXPLODED BOMB ; she had been on a torpedoed ship to Canada, held over in a hostel (parents: not all that performance again ), run away rather than wait for another; they met leaving an Underground shelter, recognized each other as fugitives, and paired up: Bill and Julie, a bubble in the eddies of wartime London. The barrow men give them odd jobs but other adults impinge, would turn them in; or should they reveal themselves - Bill, loath to desert Julie, lets his father get away, and she, in return, fails to contact her parents when the next ship to Canada sinks. In the basement of her aunt's wrecked house they find a place to be 'warm, quiet, by ourselves'; can it have been for only a week, Bill wonders later. And then little Dickie, the waif they've sheltered, takes sick and Bill must, must, must find milk at dawn during an air raid. When he returns the house is gone, collapsed, and Julie emerges a plaster statue. . . miraculously alive. But now, in the hospital, Miss Julia Vernon-Greene and not, her blazer and striped tie brother says, for Bill. The call to class is un-American but not untranslatable (into more subtle cultural pressures), and the bond between Bill and Julie, their finest hour, irradiates the scene: The oddest thing was that the leaves turned gold and fell off while Hitler's bombers filled the sky. He is fifteen, she is somewhat younger, and theirs is a romance their counterparts can credit. (Kirkus Reviews)

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