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Face and Mask: A Double History

Face and Mask: A Double History

The description for this book, Face and Mask: A Double History, will be forthcoming.

Usually ships 6-12 working days – This title is in stock at publisher

Quick Reference

ISBN 9780691162355
Barcode 9780691162355
Published 15 April 2017
Format Hardback
Language English (translated from: English)
Author(s) By Belting, Hans
Translated by Hansen, Thomas S.
Translated by Hansen, Abby J.
Availability In stock at publisher; ships 6-12 working days

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Full details for this title

ISBN-13 9780691162355
ISBN-10 0691162352
Stock Available
Status In stock at publisher; ships 6-12 working days
Publisher unlisted
Imprint Princeton University Press
Publication Date 15 April 2017
International Publication Date 28 March 2017
Publication Country United States United States
Format Hardback
Language English
Translated from English
Author(s) By Belting, Hans
Translated by Hansen, Thomas S.
Translated by Hansen, Abby J.
Category Theory Of Art
Art Styles Not Limited By Date
Aesthetics
Anthropology
Biological Anthropology
Number of Pages 288
Dimensions Width: 165mm
Height: 241mm
Spine: 23mm
Weight 907g
Interest Age 16+ years
Reading Age 16+ years
Library of Congress Masks, Facial expression in art, Face, Facial expression, Face in art
NBS Text Fine Arts / Art History
ONIX Text General/trade;College/higher education
Dewey Code 704.942
Catalogue Code Not specified

Description of this Book

The description for this book, Face and Mask: A Double History, will be forthcoming.

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Awards, Reviews & Star Ratings

NZ Review A compelling study. --Apollo
UK Review Bertrams Star Rating: 2 stars (out of 5)

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Author's Bio

Hans Belting has held chairs in art history at the universities of Heidelberg and Munich and has been a visiting professor at Harvard, Columbia, and Northwestern. He also cofounded and taught at the School for New Media in Karlsruhe, Germany. His many books include An Anthropology of Images (Princeton), Florence and Baghdad: Renaissance Art and Arab Science, Looking through Duchamp's Door, The Invisible Masterpiece, and Art History after Modernism.

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