History Of Art & Design Styles: C 1800 To C 1900

Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to the task of capturing the diversity of the flowering plants in naturalistic watercolor paintings. He worked in Paris as a botanical illustrator for rich patrons for nearly half a century, during which he documented ...remarkable, rare plants and flora new to the science of his day.
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35 guided projects to stitch, knit and craft cute homeware, clothes and toys for the cutest babies

A fifth edition of this classic textbook, revised and updated throughout.

Land of symbols: Where myth, death, and desire reignIt was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. In the late 19th century, painters such as Gustave Moreau and Odilon Redon rejected realism, naturalism, and impressionism to exp...ress instead the emotion or idea. In place of Monet s light-suffused landscapes or the frank working-class subjects of Courbet came imaginary dream scenes of psychological, sexual, and mystical content.This generously sized book explores the Symbolists rich pool of inspiration as they strove to express such charged experiences as love, fear, anguish, death, sexual awakening, and unrequited desire. Through literature, the Bible, and Greek mythology, we see how the movement s protagonists fused erudite references with personal and private significance in the restless pursuit of a feeling-laden form.With featured work from Edward Burne-Jones, Pierre Puvis de Chavannes, Gustav Klimt, James Abbott McNeill Whistler, Gustave Moreau, Odilon Redon and many more, the book attests to the favorite motifs as well as the stylistic variety of Symbolist practice. In one work we find muted washes of pastel color, in another ornate textural details. More than once, we encounter the virgin or femme fatale, Symbolism s female archetypes par excellence.Through this rich, sometimes obscure, but always evocative journey, we come to appreciate an essential 19th-century movement which not only spawned disciples around the world, but also paved the way for some of the leading modernist developments.
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The extensive travels of J.M.W. Turner (1775-1851) through Britain and continental Europe provided an inexhaustible source of inspiration for his visionary color compositions, imaginative landscapes, and turbulent, often violent marine paintings. In Switzerland, he experienced bo...th the beauty and the menace of the Alps, while by the sea, he observed the colorful harmonies of diffuse light. These experiences laid the groundwork for Turner to elevate landscape painting to an eminence that rivaled history painting. But how did he get there? Presenting this incomparably original artist on his route to autonomy in art, Turner traces the London artist's travels as he extended his search for motifs to Central Europe during the continent's temporary peace in 1802. He spent much time journeying through the mountains of Switzerland, constantly sketching his impressions of the scenes around him. Upon his return to London, he developed the unique imagery of his sublime landscape paintings. Through one hundred color illustrations that tell a story about the forces of nature of the sea and the Swiss mountain landscapes, the authors here examine the change Turner brought to the portrayal of the sublime and the subject of weather phenomena. Other essays explore Turner's role as the forerunner of modernism and reflect on the relationship between the artist and travel. Bringing together the symphony of colors that composed Turner's view of Switzerland's awe-inspiring landscapes, this book sheds new light on the artist's vision of the Alps and the sea.
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