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Introduction 1. Recombinant Poetics - Bill Seaman in conversation with Yvonne Spielmann; 2. messboard - Jodi; 3. So everything joyful is mobile... - Matt Locke, Matthew Chalmers and Frances McKee in discussion with Simon Yuill; 4. Remoteness - A Study in Electro-Mist - Judy Spark...; 5.
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Transgressive by nature, erotic literature engages the reader in a dialogue informed by the social and aesthetic conventions that it playfully disregards or happily reproduces. But once this intimate dialogue transitions into another language, culture or medium, it must repositio...n itself within new conventions. How does this happen in practice?
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Through an exploration of the autobiographies of the Russian-American writer, Vladimir Nabokov, the French novelist and poet, Georges Perec, and the Caribbean author, Patrick Chamoiseau, Cooper offers a reflection on the role of migration and linguistic change in shaping twentiet...h and twenty-first century approaches to memory.
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Petrarch is arguably the most influential poet in Western culture. Ranging through five centuries of translations, adaptations and imitations of the father of Humanism, this transcultural, transdisciplinary study considers the echoes of a major figure, whose reach goes beyond bor...ders and eras to resonate singularly into our times.
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What can Dante tell us about Proust, and what can Proust tell us about Dante? In this book, Hartley follows a process of analogy, reading Dante's Divine Comedy and Proust's A la recherche du temps perdu in light of one another in order to offer new insights into both works.
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Introduction 1. Recombinant Poetics - Bill Seaman in conversation with Yvonne Spielmann; 2. messboard - Jodi; 3. So everything joyful is mobile... - Matt Locke, Matthew Chalmers and Frances McKee in discussion with Simon Yuill; 4. Remoteness - A Study in Electro-Mist - Judy Spark...; 5.
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Focusing on the artist's voice, via interviews, collaborations, artist's pages, lecture texts and notes, this volume attempts to document some contemporary modes of expression in the expanded field of sculpture.
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Both comparative criticism and translation cross borders, yet borders that have been crossed still exist. Rather than celebrating the crossing of borders, or dreaming of their abolition, Minding Borders traces their troubling and yet generative resilience.
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Translation can be seen as producing a text in one language that will count as equivalent to a text in another. It can also be seen as a release of multiple signifying possibilities, an opening of the source text to Language in all its plurality.
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